Tele silk torn from the cuts of Fontana, thin balance that elaborate Calder, marble surfaces for slender bodies of Rodin. The collections for spring / summer 2010/2011 draw on silhouette art, and handle a concept valuable: the nude. Result, bare backs trapped by webs of fabric behind the protagonists "piercing" the suit, necklines that reveal the deep center of gravity.
And more transparency policy (the navel and waist) and skin was cut to live even in the summer to take off / necklace and leather bodices laser. Haider Ackermann: The rest of the warrior. The rider rediscovers the color and undresses the armor. The kimono is worn unbuttoned to the waist blazer with contrasting lapels, the tunic he collapsed on the sides and leaves the bare back dramatically, Ackermann for the body is expressed in the movements.
And the clothes follow. Louis Vuitton: oriental express. The bad girl returned to its appeal with an oriental femininity, which (s) as iridescent color, but also feeds on cuts, sometimes soft, sometimes harsh, but it remains the responsibility of enhancing the contrast between materials such as lurex, silk cheongsam Monogram and Lace and body shapes in strict expansion.
Dries Van Noten: naked form. Node on the shoulder and macro floral print are two elements that are expected for the summer of DVN, but maybe every time seem to become more sensuality. A secret formula that the Belgian designer has succeeded with the classic white shirt masculine unbuttoned to the waist, with sleeves rolled up and yet still able to conceal the intimacy of the body.
Chloé: white swan. If the Black Swan had been shot hours would certainly have drawn from a collection designed by Hannah McGibbon. Because if there is nude in name and color are the plunging necklines on the back to give character to the skirts in chiffon and tulle, and to harmonize the figures, simple and minimal, delicate dancers in many ultra-feminine.
Rodarte: mythological armor. The Mulleavy sisters have literally sewing the dress on, and the body wins on the matter: the shoulders are "space" and emerge from the scalp laser to free the arms is converted into the sleeve cuff. And yet the dress print ceramic Flemish reverses the proportions: the collar is tight like a waist while the navel is like a suddenly discovered cleavage.
Miu Miu: bare metal. Pell-pop (ART) for inserts and as a comic gloss stain the silk chemises, biker jackets and acid colors. This is not enough to win it again is the lightness of pleated silk dresses with deep armholes, neckline and especially where new decorations are applied on the neo-liberty metallic leather.
For a necklace effect that illuminates and hides. Gucci: totem Masai. Feathers amber, gold chains, multilistini metallic Masai beads. Still naked. Frida Giannini bust makes a totem to be subject to calls from Africa and plays with alternating bands of fabric to the bare skin. So the shoulders (s) covered with soft feathers, the neckline is embellished with a necklace massive breasts and life wrapped by a gang of chain, satin and semi-precious stones.
Everything else is revealed. Paul Smith: transparency release. I do not see an ordinary one offered by the English brand that reveals and surrounds one of the top trends this season: the strategic transparency. And so lightweight sweaters and cardigans in silk mixture rest gently on the skin (strictly) without underwear and unnecessary inhibitions.
Givenchy couture bondage. Riccardo Tisci second protagonist backs proposals that reveal bare the double soul of his creations. Sheer black chiffon and embellished clothing apparently romantic while the back reveals greater aggression with black leather straps that outline the shoulder blades and waist.
And more transparency policy (the navel and waist) and skin was cut to live even in the summer to take off / necklace and leather bodices laser. Haider Ackermann: The rest of the warrior. The rider rediscovers the color and undresses the armor. The kimono is worn unbuttoned to the waist blazer with contrasting lapels, the tunic he collapsed on the sides and leaves the bare back dramatically, Ackermann for the body is expressed in the movements.
And the clothes follow. Louis Vuitton: oriental express. The bad girl returned to its appeal with an oriental femininity, which (s) as iridescent color, but also feeds on cuts, sometimes soft, sometimes harsh, but it remains the responsibility of enhancing the contrast between materials such as lurex, silk cheongsam Monogram and Lace and body shapes in strict expansion.
Dries Van Noten: naked form. Node on the shoulder and macro floral print are two elements that are expected for the summer of DVN, but maybe every time seem to become more sensuality. A secret formula that the Belgian designer has succeeded with the classic white shirt masculine unbuttoned to the waist, with sleeves rolled up and yet still able to conceal the intimacy of the body.
Chloé: white swan. If the Black Swan had been shot hours would certainly have drawn from a collection designed by Hannah McGibbon. Because if there is nude in name and color are the plunging necklines on the back to give character to the skirts in chiffon and tulle, and to harmonize the figures, simple and minimal, delicate dancers in many ultra-feminine.
Rodarte: mythological armor. The Mulleavy sisters have literally sewing the dress on, and the body wins on the matter: the shoulders are "space" and emerge from the scalp laser to free the arms is converted into the sleeve cuff. And yet the dress print ceramic Flemish reverses the proportions: the collar is tight like a waist while the navel is like a suddenly discovered cleavage.
Miu Miu: bare metal. Pell-pop (ART) for inserts and as a comic gloss stain the silk chemises, biker jackets and acid colors. This is not enough to win it again is the lightness of pleated silk dresses with deep armholes, neckline and especially where new decorations are applied on the neo-liberty metallic leather.
For a necklace effect that illuminates and hides. Gucci: totem Masai. Feathers amber, gold chains, multilistini metallic Masai beads. Still naked. Frida Giannini bust makes a totem to be subject to calls from Africa and plays with alternating bands of fabric to the bare skin. So the shoulders (s) covered with soft feathers, the neckline is embellished with a necklace massive breasts and life wrapped by a gang of chain, satin and semi-precious stones.
Everything else is revealed. Paul Smith: transparency release. I do not see an ordinary one offered by the English brand that reveals and surrounds one of the top trends this season: the strategic transparency. And so lightweight sweaters and cardigans in silk mixture rest gently on the skin (strictly) without underwear and unnecessary inhibitions.
Givenchy couture bondage. Riccardo Tisci second protagonist backs proposals that reveal bare the double soul of his creations. Sheer black chiffon and embellished clothing apparently romantic while the back reveals greater aggression with black leather straps that outline the shoulder blades and waist.
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