'Rapunzel had beautiful long hair, fine as spun gold. When he heard the voice of the sorceress, he untied her hair, tying the milestone of a window, and they fell for a distance of twenty yards, and the enchantress climbed up there. " It seems troubling fuoriluogo storyteller and drawing on the imagination of the Brothers Grimm fairy tale to tell of the beauty a must for summer 2011.
Yet, if already in the fashion "is the most popular woven from tangueras Prada to Stella McCartney's raffia clutch, hairstyling on the common thread is (almost) the same, with a plus, though: the recovery of tradition, often in all its disarmingly simple, with a mix and match faces and "cuts" with a common denominator.
The plot. That's going over the Spring / Summer 2011 fashion shows, the princess of northern Ungaro queens oriental-Louis Vuitton, the leaves turn out long, but hidden, almost always closed in themselves. And so from a myriad of braids and weaves, twists and tricks, Rapunzel is no longer alone.
A shell. What is more à la à la Cinderella or Anastasia, or is enriched by ripples, wisps or puffs naive light does not matter because the clamshell styling, however difficult to realize, is a real must for the season: from queens oriental-deluxe Louis Vuitton to the knot of little ladies cotonata vaguely Sixties proposed by Vera Wang, up to the shell perfectly closed in upon itself and masterfully brushed YSL.
Micro-braids. The most Romantic is the one proposed by Emanuel Ungaro: a single braid that sticks to the scalp and head frames, as the most poetic Nordic princess. Erdem maintains the same principle, only in key medieval-chic Byblos and opts for a herringbone braids made up of many different sizes.
Much more aggressive princesses John Galliano with a single messy plot forehead emphasize throughout their appeal. Macro-braid. A cross between Little Red Riding Hood's Lancelot and Guinevere Givenchy offers the entire length of a handsome head of hair in two braids held together only the softest of the two respective ends.
Lacoste opt for one side braid in her hair loose from camouflage and Lela Rose proposes a must for the autumn season, the "fishtail braid, braid or the ear side. Nature. The trend towards more radical chic is to weave the hair yes, but as if "by chance", playing, the result was not as hoped: as the braid proposal drafted by Michael Kors or the play of volumes brought by Kenzo.
The diktat is easy: look unkempt, but not too much. Sculpture. If the Empress Sissi was still with us would certainly have competed with the royal crown of yesteryear proposed by Tao. Scaffolding for Alexander McQueen sculpture that has woven the strands in a modular fashion as were many wicker baskets.
Same mood that has kept Carolina Herrera, only with the help of chameleon pegs ton sur ton. Tribal. If Pocahontas had her hair tied would probably have a head very similar to those proposed by the ladies exotic Wunderkind with many micro hair rolled up on themselves or as Fatima Lopes and his myriad of belonging to the pigtails head rolled to form a waterfall. 
Yet, if already in the fashion "is the most popular woven from tangueras Prada to Stella McCartney's raffia clutch, hairstyling on the common thread is (almost) the same, with a plus, though: the recovery of tradition, often in all its disarmingly simple, with a mix and match faces and "cuts" with a common denominator.
The plot. That's going over the Spring / Summer 2011 fashion shows, the princess of northern Ungaro queens oriental-Louis Vuitton, the leaves turn out long, but hidden, almost always closed in themselves. And so from a myriad of braids and weaves, twists and tricks, Rapunzel is no longer alone.
A shell. What is more à la à la Cinderella or Anastasia, or is enriched by ripples, wisps or puffs naive light does not matter because the clamshell styling, however difficult to realize, is a real must for the season: from queens oriental-deluxe Louis Vuitton to the knot of little ladies cotonata vaguely Sixties proposed by Vera Wang, up to the shell perfectly closed in upon itself and masterfully brushed YSL.
Micro-braids. The most Romantic is the one proposed by Emanuel Ungaro: a single braid that sticks to the scalp and head frames, as the most poetic Nordic princess. Erdem maintains the same principle, only in key medieval-chic Byblos and opts for a herringbone braids made up of many different sizes.
Much more aggressive princesses John Galliano with a single messy plot forehead emphasize throughout their appeal. Macro-braid. A cross between Little Red Riding Hood's Lancelot and Guinevere Givenchy offers the entire length of a handsome head of hair in two braids held together only the softest of the two respective ends.
Lacoste opt for one side braid in her hair loose from camouflage and Lela Rose proposes a must for the autumn season, the "fishtail braid, braid or the ear side. Nature. The trend towards more radical chic is to weave the hair yes, but as if "by chance", playing, the result was not as hoped: as the braid proposal drafted by Michael Kors or the play of volumes brought by Kenzo.
The diktat is easy: look unkempt, but not too much. Sculpture. If the Empress Sissi was still with us would certainly have competed with the royal crown of yesteryear proposed by Tao. Scaffolding for Alexander McQueen sculpture that has woven the strands in a modular fashion as were many wicker baskets.
Same mood that has kept Carolina Herrera, only with the help of chameleon pegs ton sur ton. Tribal. If Pocahontas had her hair tied would probably have a head very similar to those proposed by the ladies exotic Wunderkind with many micro hair rolled up on themselves or as Fatima Lopes and his myriad of belonging to the pigtails head rolled to form a waterfall.
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